Reconstruction Writing Assignment Example | Topics and Well Written Essays - 750 words - 1

Reconstruction Writing - Assignment Example Notably, President Lincoln wanted people to forgive one another and the defeated states to rejoin the Union immediately (â€Å"Houghton Mifflin Company† 1). Conversely, the Radical Republicans in Congress sought to change the South and protect the rights of African Americans (â€Å"Houghton Mifflin Company† 1). Ideally, the United States Congress passed four statutes known as Reconstruction Acts after the civil war, which sought to support Reconstruction by creating five military districts in the South (â€Å"Houghton Mifflin Company† 1). Most specifically, President Lincoln assumed that the defeated states did not seceded from the Union and hence should suffer any punishment. Nevertheless, the Congress opposed his plan. Indeed, when Lincoln died, his successor, President Johnson adopted Lincoln’s plan to the dismay of the Congress. In the reconstruction plan, President Johnson pardoned all Southerners under oath and recognized the governments of defeated states (â€Å"Houghton Mifflin Company† 1). Indeed, by the end of 1865, only one Southern state lacked a new government and suffered from slavery. Nevertheless, the results of the mid-term elections in 1866 eliminated the Presidential Reconstruction and instituted the Congressional Reconstruction as the Radical Republicans gained dominant control in both houses. ... The Congress Reconstruction plan included the establishment of a Freedmen's Bureau to help freed slaves, enactment of the Civil Rights Act of 1866 to protect the freed slaves from black codes, passing the 14th Amendment to protect the Civil Rights Act, and passing the Passage of Reconstruction Acts to bar defeated states from rejoining the Union. More specifically, the Reconstruction plan guaranteed universal manhood suffrage, mandated public school systems, and established progressive tax structures. The Thirteenth, Fourteenth, and Fifteenth Reconstruction Amendments to the United States Constitution sought to help in the implementation of the Reconstruction plan after the Civil war. The amendments empowered the national government over the states where the Thirteenth Amendment ended slavery, Fourteenth Amendment gave blacks full citizenship, and The Fifteenth Amendment recognized the right of African American men to vote (â€Å"Houghton Mifflin Company† 1). Nevertheless, Pre sident Andrew Johnson attempted to veto Congress Reconstruction plans where the Congress had curtailed his powers through the Tenure of Office Act. However, President Andrew Johnson violated the restraining act, which propelled the Congress to impeach him (â€Å"Digital History† 1). Personally, the Congress Reconstruction plan is seemingly the best plan subject to its encouraging results. Indeed, under the Congress Reconstruction plan, black and white people were able to access public schools, homestead exemptions, and there was equal distribution of public resources (â€Å"Prentice Hall† 1). Furthermore, although President Johnson’s plan was significant in appointing military governors to

Arab Women and Their Spouses Essay -- Marriage Middle Eastern Culture

Arab Women and Their Spouses In many societies, the relationships between people differ and in some ways are all alike. None so obscure as the relationship between man and woman. It is especially intriguing to witness the compatibility of both especially in marriage. Using the three novels Pillars of Salt, by Fadia Faqir, A Woman of Five Seasons, by Leila Al-Atrash, and A Balcony over the Fakihani, by Liyana Badr one might begin to analyze the different relationships between men and women in Arab culture. While any relationship is uniquely different, these novels will aid in getting a better idea about Arab women and their husbands. The stories begin with the novel Pillars of Salt where Maha and Um Saad are roommates in a mental hospital. Born a Bedouin woman by the Red Sea, in Jordan, Maha was a young woman living with her father and callous brother, when she became familiar with Harb, another man of their tribe. One night, while Maha was telling a particular story to Harb, he dismissed the subject and asked if she could meet with him that night. To Maha?s astonishment she replied, "Are you mad? For a girl to be out at night is a crime of honor. They will shoot me between the eyes" (p10). This secret meeting would be forbidden by the tribe because a woman?s virginity was held sacred and if it were taken away there would be little to no chance of marriage or respect, as it was for Maha?s friend Nasra, who was raped by Maha?s brother. Later on, a wedding proposal occurred when the dignitaries of the tribe came and asked Maha?s father for the hand of Maha, in the name of Harb. After slight hesitation by Maha?s father, because he was giving away his only daughter, the deal was sealed and Harb gave five camels to his fut... ... answer is living without this respect. Unfortunately, Um Saad exemplifies this characteristic and therefore becomes insane. More commonly, the end appears with the unexpected death of the husband. Each dying in some sort of battle, Maha?s, Yusra?s, and Su?ad?s husbands were all kind men, who respected their wives and never hurt them irreverently. It is with this that the say goes "good men die young". While that has nothing to do with Arab culture specifically, it does seem to be a continuing theme in these novels, by Arab women. Where war and detachment in their world lead them on an emotional rollercoaster ride, these women are forced to form attachments with others, who are most likely their husbands. These relationships are all individual, and therefore not always the case, but very clearly point out logical and possible situations in Arab culture marriages.

Kant’s Moral Rationality Essay

In Kant’s book, The Foundations of the Metaphysics of Morals, he believes that the â€Å"good will† is only good in itself and that reason is what produces the â€Å"goodness† of the â€Å"good will.† According to Kant, to act out of a â€Å"good will† means to act out of â€Å"duty,† or doing something because you find it necessary to do. Also, â€Å"good will† is will that is in accordance with reason. He believes everyone has a moral obligation or duty to do actions and he backs his theory up by discussing his idea of the â€Å"moral law.† The â€Å"moral law†, according to Kant, is when one is to act in accordance with the demands of practical reason, or acting done solely out of respect of duty. He says that moral laws will make you will in a certain way and is not subject to something further. Moral laws apply to all rational being in all places at all times. Overall, he believes that morality is on a basis of a priori, or preceding experience. This type of moral law commands us to be truthful from respect for the law and to do the right thing. Morality is about categorical commands that we ought to follow simply because it is the right thing to do. By categorical commands, or categorical imperative, it is supposed to provide us with a way to make moral judgments, which means it is a law. It is a way of coming up with the idea how any action can be rational. He means since all externals are taken from morality, moral commands must be categorical. In his book, Kant explains that he makes five things perfect clear: 1. All moral concepts have their origin entirely a priori in reason. 2. Moral concepts can’t be formed by abstraction from any empirical knowledge or, therefore, from anything contingent. 3. This purity or non-empiricalness of origin is what gives them the dignity of serving as supreme practical principles. 4. Any addition of something empirical takes away just that much of their influence and of the unqualified worth of actions performed in accordance with them. 5. Not only is it necessary in developing a moral theory but also important in our practical lives that we derive the concepts and laws of morals from pure reason and present them pure and unmixed, determining the scope of this entire practical but pure rational knowledge. (Kant 17) Kant goes on to discuss a relationship between the moral law and reason. He says that moral philosophy cannot be merely an empirical inquiry, but that is must be a metaphysical inquiry, and that it must be based on pure practical reason. Pure practical reason is the reason that drives actions without any sensible incentives. Kant also states that Morality is based neither on utility or nature, but on human reason. And this human reason tells us what we ought to do and when we obey this human reason, then we can say we are truly free. Finally, Kant discusses why he thinks that the moral is the rational. He believes that acting dutifully is the same as doing something because rationality tells you to do it. In section three, he discusses how moral principles come from yourself, or your rationality. And how one should treat the idea of will of every rational being as a universal law. Thus, rationality requires us to be moral.

About Architect Steven Holl, Time, Space, and Light

I was in the Washington, DC convention center when Steven Holl accepted the 2012 AIA Gold Medal, the highest honor bestowed by the American Institute of Architects. I listened to Holls watercolor-like speech over the loudspeakers, as I rushed through the hallways, running late.   Architecture is an art bridging the humanities and the sciences, Holl said. We work bone-deep in Art—drawing lines between sculpture, poetry, music and science that coalesce in Architecture. That, I thought, is architecture. Steven Myron Holl is known for his strong viewpoints and his beautiful watercolors. He is constantly painting, both in words and with brushes. He also is known as the thinking mans architect, an intellectual philosopher who connects disciplines. Background: Born: December 9, 1947, Bremerton, Washington Education: 1971, BA, University of WashingtonPostgraduate study in Rome, Italy and the Architectural Association School of Architecture, London, UK Professional Experience: 1976-present: Steven Holl Architects, http://www.stevenholl.com/; Twitter at stevenhollarch1981-present: Tenured Professor of Architecture, Planning, and Preservation, Columbia University, NYCChris McVoy, Senior Partner at Steven Holl Architects, co-designs with Holl in addition to his pracitce with Beth ONeill, ONeill McVoy Architects Design Philosophy: Rather than imposing a style upon different sites and climates, or pursued irrespective of program, the unique character of a program and a site becomes the starting point for an architectural idea. While anchoring each work in its specific site and circumstance, Steven Holl Architects endeavors to obtain a deeper beginning in the experience of time, space, light and materials. The phenomena of the space of a room, the sunlight entering through a window, and the color and reflection of materials on a wall and floor all have integral relationships. The materials of architecture communicate through resonance and dissonance, just as instruments in musical composition, producing thought and sense-provoking qualities in the experience of a place. —About Steven Holl Architects, website at www.stevenholl.com/studio.php?typeabout, accessed September 22, 2014 Selected Architecture Projects 1991: Void Space/Hinged Space Housing, Fukuoka, Japan1996: Makuhari Bay New Town, Chiba, Japan1997: Chapel of St. Ignatius, Seattle University, Washington1998: Kiasma Museum of Contemporary Art, Helsinki, Finland2002: Memorial Square by Meier, Eisenman, Gwathmey/Siegel, Holl , unrealized proposed design to redevelop Ground Zero, Lower Manhattan2002: Simmons Hall, Massachusetts Institute of Technology, Cambridge, Massachusetts2007: Lewis Center for the Arts, Princeton University, New Jersey2007: The Nelson-Atkins Museum of Art Bloch Building Addition, Kansas City, Missouri2009: Linked Hybrid, Beijing, China2009: Vanke Center Horizontal Skyscraper, Shenzhen, China2009: Knut Hamsun Center, Hamarà ¸y, Norway2012: Expansion Project, John F. Kennedy Center for the Performing Arts, Washington, DC2012: Danish Natural History Museum, Copenhagen, Denmark2013: Campbell Sports Center, Columbia University, New York2014: Reid Building, The Glasgow School of Art, Glasgow, Scotland2014: Beirut Mar ina at Zaitunay Bay, Beirut, Lebanon2016: Visual Arts Building, University of Iowa, Iowa City, Iowa2016: Institute for Contemporary Art, Virginia Commonwealth University, Richmond, Virginia2017: Expansion of the Kennedy Center for the Performing Arts, Washington, DC Furniture: A2-Chair, 2013A-Chair, 1980, 2005Riddled Table, lasercut, 2006, 2007 Awards: 2014: Praemium Imperiale International Arts Award, Japan Art Association2012: Gold Medal, American Institute of Architects (AIA)2010: Jencks Award, Royal Institute of British Architects (RIBA)2009: BBVA Foundation Frontiers of Knowledge Award1998: Alvar Aalto Medal, Finland1998: La Grande Medaille dOr, Academy of Architecture, France1990: Arnold W. Brunner Memorial Prize, American Academy of Arts and Letters In the Words of Steve Holl: From the Five Minute Manifesto, 2012 The essential power of Architecture is PARALLAX: the horizontal and vertical movement through forms and light over time, as we—our bodies—pass by, walk up, go inside, walk through inspired space. The joy and ambiguity of SCALELESSNESS excites the imagination through Mysteries of Proportion like Fibonaccis - 0, 1, 1, 3, 5, 8, 13, 21 †¦ - which wakes us to Geometrical Feeling. Forget mono-functional buildings! Make Hybrid Buildings: Living Working Recreation Culture Make a New Fusion of landscape, architecture, and URBANISM, a fusion of luminosity and porosity into Cities of Matter with spirit. Make New Cities—our greatest artwork—with the same urgency as we restore the natural landscape and biodiversity. Selected Writings and Paintings by Steven Holl: Anchoring, Princeton Architectural Press, 1989Edge of a City, Pamphlet Architecture 13, Princeton Architectural Press, 1991Parallax, Princeton Architectural Press, 2000Written in Water, Lars Muller Publishers, 2002House: Black Swan Theory, Princeton Architectural Press, 2007Steven Holl: Architecture Spoken, Rizzoli, 2007Urbanisms: Working with Doubt, Princeton Architectural Press, 2009New Haiti Villages, Pamphlet Architecture 31, Princeton Architectural Press, 2010Scale, Lars Muller Publisher, 2012Horizontal Skyscraper, William Stout Publishers, 2011 Who is Steve Holl? Holl is viewed as assertive by people who are trying to be complimentary, and as a bull in a china shop by people who aren’t, comments architecture critic Paul Goldberger in The New Yorker magazine. Arguably, Holls Vanke Center in China is the architecture that fulfills his philosophical vision. Imagine the Empire State Building on its side, with giant piers cradling the structure several stories above a ground prone to natural disasters. The multi-use horizontal skyscraper incorporates sustainable design and urban planning. Mr. Holl has designed a building that pushes its users to stop and think about the world around them, says Nicolai Ouroussoff in The New York Times. It is an architecture that opens doors to new possibilities. The answers he supplies in all of his designs draw from architecture, of course, but also from engineering, science, art, philosophy, and literature, writes Zach Mortice, Managing Editor of AIArchitect. Holl is the rare architect who can combine these gentlemanly pursuits (he often develops designs by painting them in water colors, for example) and use them as source material and method for buildings that aggressively push the edge of what’s possible. Sources: Lenses on the Lawn by Paul Goldberger, The New Yorker, April 30, 2007; Five Minute Manifesto, Steven Holl, Washington, D.C., AIA Gold Medal Ceremony, May 18, 2012 [accessed October 31, 2014]; Steven Holl, 2014 Laureate in Architecture, The Japan Art Association at www.praemiumimperiale.org/en/component/k2/item/310-holl [accessed September 22, 2014]; Turning Design on Its Side by Nicolai Ouroussoff, The New York Times, June 27, 2011 [accessed November 1, 2014]